Category Archives: Screenplays

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Screenplays | MIDNIGHT IN PARIS – by Woody Allen, this year’s Oscar winner for best original screenplay

MIDNIGHT IN PARIS won best original screenplay and Woody Allen has the most nominations in this category with 15, and the most wins with 3.

Midnight-in-ParisMIDNIGHT IN PARIS is a 2011 romantic comedy fantasy film written and directed by Woody Allen.[3] The plot centers on a small group of Americans visiting the French capital for business and pleasure. The protagonist, a screenwriter, is forced to confront the shortcomings of his relationship with his fiancée and their divergent goals due to his magical experiences in the city beginning each night at midnight.[4] The movie explores themes of nostalgia and modernism.

Midnight in Paris - movie posterProduced by Spanish group Mediapro and Allen’s Gravier Productions, the film stars Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Carla Bruni, Adrien Brody and Michael Sheen. It premiered at the 2011 Cannes Film Festival and was released in North America in May 2011.

The film opened to widespread critical acclaim and has commonly been cited as one of Allen’s best films in recent years.

In 2012, the film won both the Academy Award for Best Original Screenplay and the Golden Globe Awards for Best Screenplay; and was nominated for three other Academy Awards: Best Picture, Best Direction, and Best Art Direction.

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Writing
Allen employed a reverse approach in writing the screenplay for this film, by building the film’s plot around a conceived movie title, ‘MIDNIGHT IN PARIS. [15] Allen originally wrote the character Gil as an east coast intellectual, but he rethought it when he and casting director Juliet Taylor began considering Owen Wilson for the role.[9] “I thought Owen would be charming and funny but my fear was that he was not so eastern at all in his persona,” says Allen. Allen realized that making Gil a Californian would actually make the character richer, so he rewrote the part and submitted it to Wilson, who readily agreed to do it. Allen describes him as “a natural actor”.

Midnight in Paris - movie stillFilming
Principal photography began in Paris in July 2010.[16] Allen states that the fundamental aesthetic for the camera work gave the film a warm ambiance. He describes that he likes it (the cinematography), “intensely red, intensely warm, because if you go to a restaurant and you’re there with your wife or your girlfriend, and it’s got red-flecked wallpaper and turn-of-the-century lights, you both look beautiful. Whereas if you’re in a seafood restaurant and the lights are up, everybody looks terrible. So it looks nice. It’s very flattering and very lovely.”

To achieve this he and his cinematographer, Darius Khondji, used primarily warm colors in the film’s photography, filmed in flatter weather and employed limited camera movements, in attempts to draw little attention to itself. This is the first Woody Allen film to go through a digital intermediate, instead of being color timed in the traditional photochemical way. According to Allen, its use here is a test to see if he likes it enough to use on his future films.

Allen’s directorial style placed more emphasis on the romantic and realistic elements of the film, than the fantasy elements. He states that he “was interested only in this romantic tale, and anything that contributed to it that was fairy tale was right for me. I didn’t want to get into it. I only wanted to get into what bore down on his (Owen Wilson’s) relationship with Marion.”

Locations
The film opens with a 3½-minute postcard-view montage of Paris, showing the usual and iconic tourist sites. Kenneth Turan of the Los Angeles Times describes the montage as a stylistic approach that lasts longer than necessary to simply establish location. According to Turan, “Allen is saying: Pay attention — this is a special place, a place where magic can happen.”[18] Midnight in Paris is the first Woody Allen film shot entirely on location in Paris, though both Love and Death (1975)[19] and Everyone Says I Love You (1996) were partially filmed there.

Filming locations include Giverny, John XXIII Square (near Notre Dame), Montmartre, the Palace of Versailles, the Opéra, the Sacré-Cœur, the Île de la Cité itself, and streets near the Panthéon.

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Screenplays | THE IDES OF MARCH by George Clooney, Grant Heslov, and Beau Willimon

THE IDES OF MARCH, by George Clooney, Grant Heslov, and Beau Willimon, was up for best adapted screenplay and I thought it was the best of this year’s nominations.

the ides of march movieThe Ides of March is a 2011 American political drama film directed by George Clooney from a screenplay written by Clooney, along with Grant Heslov and Beau Willimon. The film is an adaptation of Willimon’s 2008 play Farragut North. It stars Ryan Gosling, George Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Jeffrey Wright, and Evan Rachel Wood.

Stephen Meyers (Ryan Gosling) is the Junior Campaign Manager for Mike Morris (George Clooney), Governor of Pennsylvania and a Democratic presidential candidate, competing against Arkansas Senator Ted Pullman (Michael Mantell). The candidates are campaigning in Ohio. A win for Morris would all but guarantee him the nomination; a win for Pullman would give him vital momentum. Both campaigns are also attempting to enlist the endorsement of North Carolina Democratic Senator Franklin Thompson (Jeffrey Wright), who controls 356 convention delegates, enough to clinch the nomination for either candidate.

The Ides of March - poster, scriptAfter a debate, Meyers is asked by Pullman’s Campaign Manager Tom Duffy (Paul Giamatti) to attend a secret meeting. Meyers calls his boss, Senior Campaign Manager Paul Zara (Philip Seymour Hoffman), who doesn’t answer. Meyers leaves a message that something important has come up. Meyers meets with Duffy who offers him a position in Senator Pullman’s campaign. Meyers refuses, and asserts that he believes in Morris. Duffy tells Meyers that his optimism won’t last, and that Morris will eventually be cynical and corrupt like the other candidates. Zara calls Meyers back and asks what was important but Meyers says it was nothing to worry about.

Meyers starts a sexual relationship with Molly Stearns (Evan Rachel Wood), an intern for Morris’ campaign and daughter of Jack Stearns (Gregory Itzin), the chairman of the Democratic National Committee. Late one night when Molly is in his room sleeping, Meyers discovers that Morris is trying to call her. She and Morris had a brief sexual liaison at a campaign stop in Iowa several weeks previously, and Molly is now pregnant with Morris’ baby. The Ides of March - george clooneyMeyers helps her with money for an abortion but warns her not to tell anybody. Meyers also fires Molly from the campaign, telling her she “f****d up.” He drives her to the clinic, promising to pick her up afterwards, but fails to do so. She repeatedly phones him, telling him the clinic is closing, but then is forced to find her own transportation back to her hotel.

Meyers admits to Zara that he met with Duffy, who told Meyers that Pullman will offer Senator Thompson the position of Secretary of State, guaranteeing his victory by bringing hundreds of delegates with him. Ida (Marisa Tomei), a reporter for the New York Times, reveals that an anonymous source leaked his encounter with Duffy to her and that she will publish unless Meyers gives her all of the information about his meeting with Thompson. Meyers comes to Zara for help. Zara reveals that he leaked the meeting to Ida and fires Meyers from the campaign for showing a “lack of loyalty” in meeting with Duffy.

The Ides of March MovieMeyers offers his services to Duffy but Duffy now insists that he can’t and won’t hire Meyers. In a Machiavellian scheme, Duffy admits he only met with Meyers in order to influence his opponent’s operation. He suspected that Meyers would tell Zara about the meeting which would lead Zara (in his paranoia) to remove Meyers from Morris’ campaign. Should this happen, Duffy correctly surmised, the Morris campaign would be weakened and, as a result, Pullman’s would be strengthened. Before dismissing Meyers, Duffy encourages the younger man to quit the business, predicting that should he continue in the business, he will end up manipulative and cynical like every other political operative—indeed, like Duffy himself. Meanwhile, Molly learns that Meyers has been fired and, fearing that her secret will now be exposed, she overdoses on pills and alcohol and dies. Meyers feels guilty about this, as he did intend to expose Morris’ affair (and likely implicate Molly) in exchange for a job on Senator Pullman’s campaign.

Despite the guilt he feels upon hearing Molly’s anguished voicemails to him, in the face of disappointment with Morris and a career that will (in the short term) be tarnished, Meyers decides to go on the offensive using Molly’s suicide. Unbeknownst to the Morris campaign, he meets with Senator Thompson to arrange for Thompson’s delegates in exchange for a spot on the Morris ticket. He then uses Molly’s phone to call Morris, inducing the candidate to meet him. At a secret, late-night rendezvous, he confronts Morris, telling him that he will expose the affair with Molly if Morris does not accept his demands: fire Zara, rehire Meyers, place Meyers in charge of the campaign, and offer Senator Thompson the Vice Presidential spot on the ticket, thus securing Thompson’s delegates and guaranteeing the nomination. Morris resists, but Meyers claims that he has a suicide note found in Molly’s room.

After a back-and-forth in which either or both men appear to bluff a final show of cards, Morris relents and meets all of Meyer’s demands. Later at Molly’s funeral, Zara compliments Meyers on his skill in using secrets to his advantage. Having accepted Thompson’s endorsement and his delegates, Morris shows himself to be the sort of old-school, professional politician he and Meyers had long disdained. Morris becomes the nominee despite losing the Ohio primary election to Pullman, and despite all of his high-blown lip service to integrity and uncompromising devotion to ideas and higher ideals.

Now Senior Campaign Manager, Meyers attends a remote TV interview with the voice of John King in his ear. The scene is intended to harken to the opening scene in which a playful, plucky, relatively naive Meyers is depicted prior to the events that transform him into a hardened, even bitter, political operative. Just prior to this interview, an encounter with Ida serves to demonstrate Meyer’s deepening isolation, his radical personal transformation. Reprising earlier interplay with the reporter, Meyers refuses to respond to her inquiries. When she plaintively says “Aren’t we friends anymore?”, Meyers says, not without a trace of irony that “you’re my best friend, Ida.” Meyers instructs the guards that Ida is press and the press are not allowed beyond that point—another demonstration of the development in his character; a move farther into himself, beyond the wall separating him from a world of trust and public access. The movie ends as he takes his seat for a television interview inside Xavier University’s Cintas Center and is asked for insight as to how the events surrounding the election unfolded.

 

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Screenplays | INCEPTION by Christopher Nolan

Inception is a 2010 film which was written, co-produced, and directed by Christopher Nolan. Is that all, Chris? What a slacker.

Inception movie script by Christopher Nolan Inception features an international ensemble cast starring Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Dileep Rao, Tom Berenger, and Michael Caine. DiCaprio plays Dom Cobb, a specialised corporate spy and thief. His work consists of secretly extracting valuable commercial information from the unconscious minds of his targets while they are asleep and dreaming.

Inception Leonardo DiCaprioWanted for murder and unable to visit his children, Cobb is offered a chance to regain his old life as payment for a task considered to be impossible: “inception”, the implantation of an original idea into a target’s subconscious.

Development began roughly nine years before Inception was released. In 2001, Nolan wrote an 80-page treatment about dream stealers, and presented the idea to Warner Bros. The story was originally envisioned as a horror film inspired by concepts of lucid dreaming and dream incubation.[6] Feeling he needed to have more experience with large-scale films,[7] Nolan opted to work on Batman Begins (2005), The Prestige (2006), and The Dark Knight (2008). He spent six months polishing the script for Inception before Warner Bros. purchased it in February 2009.[8] Filming spanned six countries and four continents, beginning in Tokyo on June 19, 2009, and finishing in Canada in late November of the same year.

Inception - Joseph Gordon-Levitt

Inception was officially budgeted at $160 million, a cost that was split between Warner Bros and Legendary Pictures.[3] Nolan’s reputation and success with The Dark Knight helped secure the film’s $100 million in advertising expenditure,[3] with most of the publicity involving viral marketing. Inception premiered in London on July 8, 2010, and was released in both conventional and IMAX theaters on July 16, 2010.[9][10] A box office success, Inception has grossed over $800 million worldwide and is currently one of the highest-grossing films of all time.[4] The home video market also had strong results, with $68 million in DVD sales.

Inception movie poster - Christopher Nolan

Inception received wide critical acclaim, with numerous critics praising it for its originality, cast, score, and visual effects.[11] The film received eight Academy Award nominations including Best Picture, Best Original Screenplay, Best Original Score and Best Art Direction and won the awards for Best Visual Effects, Best Sound Editing, Best Sound Mixing and Best Cinematography.

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Screenplays | IT’S A WONDERFUL LIFE written by Frances Goodrich, Albert Hackett, Frank Capra, Jo Swerling

IT’S A WONDERFUL LIFE is a 1946 film produced and directed by Frank Capra and based on the short story “THE GREATEST GIFT” written by Philip Van Doren Stern.

it's a wonderful life movieThe original story THE GREATEST GIFT was written by Philip Van Doren Stern in November 1939. After being unsuccessful in getting the story published, he decided to make it into a Christmas card, and mailed 200 copies to family and friends in December 1943.

The story came to the attention of RKO producer David Hempstead, who showed it to Cary Grant’s Hollywood agent and, in April 1944, RKO Pictures bought the rights to the story for $10,000 hoping to turn the story into a vehicle for Grant. it's a wonderful life, james stewart, angelRKO created three unsatisfactory scripts before shelving the planned movie with Grant going on to make another Christmas picture, THE BISHOP’S WIFE.

At the suggestion of RKO studio chief Charles Koerner, Frank Capra read THE GREATEST GIFT and immediately saw its potential. RKO, anxious to unload the project, sold the rights in 1945 to Capra’s production company, Liberty Films, which had a nine-film distribution agreement with RKO, for $10,000,and threw in the three scripts for free.

Capra, along with writers Frances Goodrich and Albert Hackett with Jo Swerling, Michael Wilson, and Dorothy Parker brought in to “polish” the script — turned the story and what was worth using from the three scripts into a screenplay that Capra would rename T’S A WONDERFUL LIFE. The script underwent many revisions throughout pre-production and during filming. Final screenplay credit went to Goodrich, Hackett and Capra, with “additional scenes” by Jo Swerling.

it's a wonderful life film posterThe film stars James Stewart as George Bailey, a man whose imminent suicide on Christmas Eve brings about the intervention of his guardian angel, Clarence Odbody (Henry Travers). Clarence shows George all the lives he has touched and the contributions he has made to his community.

Despite initially being considered a box office flop due to high production costs and stiff competition at the time of its release, the film has come to be regarded as a classic and a staple of Christmas television around the world. Theatrically, the film’s break-even point was actually $6.3 million, approximately twice the production cost, a figure it never came close to achieving in its initial release. it's a wonderful life, james stewart, signAn appraisal in 2006 reported: “Although it was not the complete box-office failure that today everyone believes … it was initially a major disappointment and confirmed, at least to the studios, that Capra was no longer capable of turning out the populist features that made his films the must-see, money-making events they once were.”

IT’S A WONDERFUL LIFE was nominated for five Oscars without winning any, although the film has since beenit's a wonderful life, family recognized by the American Film Institute as one of the 100 best American films ever made, and placed number one on their list of the most inspirational American films of all time.

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Screenplays | INGLOURIOUS BASTERDS written by Quentin Tarantino

Tarantino’s INGLOURIOUS BASTERDS script received an Oscar nomination for best original screenplay. And I found him to be a most gracious fellow in person.

Screenplay Inglorious Basterds Quentin TarantinoINGLOURIOUS BASTERDS is a 2009 war film written and directed by Quentin Tarantino and starring Brad Pitt, Christoph Waltz and Mélanie Laurent. The film tells the fictional story of two plots to assassinate the Nazi Germany political leadership, one planned by a young French Jewish cinema proprietor (Laurent), and the other by a team of Jewish Allied soldiers led by First Lieutenant Aldo Raine (Pitt).

Quentin Tarantino pictures of celebrity los angeles headshots

photo by Gregory Mancuso

Development on INGLOURIOUS BASTERDS began in 1998, when Tarantino wrote the script for the film. Tarantino struggled with the ending and chose to hold off filming and moved on to direct the two-part film Kill Bill. After directing Death Proof in 2007 (as part of the double feature Grindhouse), Tarantino returned to work on INGLOURIOUS BASTERDS. The film went into production in October 2008 and was filmed in Germany and France with a production budget of $70 million. INGLOURIOUS BASTERDS premiered on May 20, 2009 at the 62nd Cannes Film Festival, where it competed for the Palme d’Or. It was widely released in theaters in the United States and Europe in August 2009 by The Weinstein Company and Universal Studios.

 

The film was successful at the box office, grossing $320,351,773 in theaters worldwide, making it Tarantino’s highest-grossing film to date. It received multiple awards and nominations, including eight Academy Award nominations. For his role as Hans Landa, Christoph Waltz won the Best Actor Award at the Cannes Film Festival, as well as the BAFTA Award, Golden Globe and the Academy Award for Best Supporting Actor.

Screenplay, Inglorious Basterds poster Quentin Tarantino

 


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Screenplays | MEMENTO written by Christopher Nolan

MEMENTO is a psychological thriller written and directed by Christopher Nolan, adapted from his younger brother Jonathan’s short story, MEMENTO MORI.

Memento film, screenplay by christopher nolanPossessing only average intelligence, I have to admit to being somewhat confused the first time I saw MEMENTO. But the second time’s the charm, and during the repeat viewing, I found it even more fascinating and marveled at the inventive narrative structure masterfully written by Christopher Nolan. It’s one of my favorite films of all time and one of the few I’ve seen multiple times.

MEMENTO trailer

It stars Guy Pearce as Leonard Shelby, a man with anterograde amnesia, which impairs his ability to store new explicit memories. During the opening credits, which portray the end of the story, it is shown that Leonard kills Teddy (Joe Pantoliano). The film suggests that this killing is vengeance for the rape and murder of his wife (Jorja Fox) based on information provided by Natalie (Carrie-Anne Moss).

This film is often used to show the distinction between plot and story. The film’s events unfold in two separate, alternating narratives — one in color, and the other in black-and-white. The black-and-white sections are told in chronological order, showing Leonard conversing with an anonymous phone caller in a motel room. Leonard’s investigation is depicted in color sequences that are in reverse chronological order. As each sequence begins, the audience is unaware of the preceding events, just like Leonard, thereby giving the viewer a sense of his confusion. By the film’s end when the two narratives converge we understand the investigation and the events that lead up to Teddy’s death.

Ebert and Roeper review

 

Memento premiered on September 5, 2000, at the Venice International Film Festival to critical acclaim and received a similar response when it was released in European theaters starting in October 2000. Critics especially praised its unique, nonlinear narrative structure and themes of memory, perception, grief, self-deception, and revenge. The film was successful at the box office and received numerous accolades, including Academy Award nominations for Original Screenplay and Film Editing.

 

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Screenplays | THE USUAL SUSPECTS by Christopher McQuarrie

THE USUAL SUSPECTS is one of my all time favorite films and screenplays. This screenplay won the Oscar in 1995 and Kevin Spacey snagged best supporting actor.

The Usual Suspects movie, screenplay

The Usual Suspects is a 1995 American neo-noir  film written by Christopher McQuarrie and directed by Bryan Singer. It stars Stephen Baldwin, Gabriel Byrne, Benicio del Toro, Chazz Palminteri, Kevin Pollak, Kevin Spacey and Pete Postlethwaite.

 

The film follows the interrogation of Roger “Verbal” Kint, a small-time con man who is one of only two survivors of a massacre and fire on a ship docked at the Port of Los Angeles. He tells an interrogator a convoluted story about events that led him and four other criminals to the boat, and of a mysterious mob boss known as Keyser Söze who commissioned their work. Using flashback and narration, Kint’s story becomes increasingly complex.

The Usual Suspects movie still

The film, shot on a $6 million budget, began as a title taken from a column in Spy magazine called “The Usual Suspects,” after one of Claude Rains’ most memorable lines in the classic film Casablanca. Singer thought it would make a good title for a film, the poster for which he and McQuarrie had developed as the first visual idea.

The Usual Suspects was shown out of competition at the 1995 Cannes Film Festival,[1] and then initially released in a few theaters. It received favorable reviews, and was eventually given a wider release. McQuarrie won an Academy Award for the screenplay and Spacey won the Best Supporting Actor award for his performance.

http://youtu.be/9MjV4EwR7Mg

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Screenplays | INSIDE THE GAME by Gregory Mancuso

screenplay from los angeles celebrity photographerThis feature screenplay, INSIDE THE GAME,  is a comedic adventure fantasy infused with magic, heart and damn scary thrills.

After being sucked inside a kid’s computer game, a family can only return home if they win the game–which entails outwitting classic fairy tale characters, fighting killer beasts, and the wicked fairy they’re playing against–all before the laptop’s battery dies and they perish along with it.

 

INSIDE THE GAME takes place in a computer game called Fairy Tale Land and is a comedic adventure fantasy infused with magic, heart and damn scary thrills. What, you don’t think fairy tales are scary? They’re sissy baby stuff?

Hah! Let’s see if you make it out alive when you’re trapped in a small cottage with three hungry and very pissed off bears who want to rip you a new one for eating their porridge and busting up their fine furniture. Oh, and you’re also trapped in a ludicrous too tight dress with Goldilocks’ curls fused to your skull. This is the family’s first game challenge in the deep dark scary forest and dad bravely, kinda, faces it.

And it only gets worse. Much worse. Can you say man-eating ogre and fire breathing dragon? But that ain’t all. Besides the bizarre killer creatures trying to annihilate them, the poor family must also play against their opponent, Vileena, the most wicked, disgusting and vile fairy in the history of history. Hell, she would send Darth Vader screaming into the night.

But it isn’t all brave heroic feats of derring-do you have to do. Nope. You gotta have brains and be clever with ‘em. Besides the role playing tasks, you score points in this wacked out game by outwitting and out guessing what the eccentric fairy tale characters are going to do before they do it. Or you have to figure out what objects they’re going to want to trade for. There’s no money involved, just crazy trades, favors and plots.

Perhaps the Three Little Pigs demand something in Little Red Riding Hood’s cottage. This, of course, means dealing with that killer Wolf. There’s actually a logic to everything, but it’s a twisted kaleidoscopic logic that’s a challenge to decipher and changes from one fairy tale to another and in different sections of Fairy Tale Land and I’m getting a headache just thinking about it. Let’s just say it ain’t predictable and it’ll twist your brain with a corkscrew and keep you guessing and on your toes.

But the heart at the heart of this story isn’t found in the exciting game–it’s found in the family. A frayed and fractured modern family who are at the breaking point just before they get zapped inside. Thusly, we have a couple of the most compelling themes in story telling unfolding here: the classic journey back home, and a family’s rediscovery of their love for each other, as they learn to work together again as a caring team. There are also morals and wisdoms hidden amongst the fun, but don’t tell anyone. Hmm, kinda like they do in fairy tales, now that I think about it…. (synopsis continued in Scribd doc above)

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Screenplays | THE KING’S SPEECH by David Seidler

Won the Oscar for best original screenplay & it ain’t a half bad read.

The King's Speech screenplay


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http://youtu.be/OsxjM03ME7s

THE KING’S SPEECH by David Seidler

 

After the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush).

After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.

Based on the true story of King George VI, THE KING’S SPEECH follows the Royal Monarch’s quest to find his voice.

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Screenplays | AVATAR by James Cameron

How does a gargantuan zillion dollar global blockbusting visually groundbreaking 3D tour de force get born? Little words on plain paper.

Avatar screenplay James Cameron, movie still

How does s a gargantuan zillion dollar global blockbusting visually groundbreaking 3D tour de force get born? Little words on plain paper. I’m sure you’ve seen the scenes, so why not check out the little words posing for their close-up below.

 

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