Monthly Archives: October 2011

Funny Dog Video | ultimate dog tease, great talking dog

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Ultimate Dog Tease – great talking dog

The perfectly produced talking dog video, Ultimate Dog Tease, has been viewed by over 63 million. It was made by Andrew Grantham, a popular Canadian entertainer. He has taken animal dubbing to a new level with his Talking Animals channel on YouTube. Check it out.

Funny Animal Videos-Ultimate Dog Tease, great talking dog

Funny Animal Videos-Ultimate Dog Tease, great talking dog

Movies | Memento – the script and intriguing tales about the production, director, writer, cast

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MEMENTO is a psychological thriller  with script written by Christopher Nolan adapted from his younger brother Jonathan’s short story, MEMENTO MORI. Nolan also directed.

Memento film, screenplay by christopher nolanPossessing only average intelligence, I have to admit to being somewhat confused the first time I saw MEMENTO. But the second time’s the charm, and during the repeat viewing, I found it even more fascinating and marveled at the inventive narrative structure masterfully written by Christopher Nolan.

It’s one of my favorite films of all time and one of the few I’ve seen multiple times.

Memento movie trailer

It stars Guy Pearce as Leonard Shelby, a man with anterograde amnesia, which impairs his ability to store new explicit memories. During the opening credits, which portray the end of the story, it is shown that Leonard kills Teddy (Joe Pantoliano). The film suggests that this killing is vengeance for the rape and murder of his wife (Jorja Fox) based on information provided by Natalie (Carrie-Anne Moss).

Memento movie script

Memento script pdf download

 

This film is often used to show the distinction between plot and story. The film’s events unfold in two separate, alternating narratives — one in color, and the other in black-and-white. The black-and-white sections are told in chronological order, showing Leonard conversing with an anonymous phone caller in a motel room.

Leonard’s investigation is depicted in color sequences that are in reverse chronological order. As each sequence begins, the audience is unaware of the preceding events, just like Leonard, thereby giving the viewer a sense of his confusion. By the film’s end when the two narratives converge we understand the investigation and the events that lead up to Teddy’s death. Continue reading »

Podcasts | The Tobolowsky Files – legendary character actor shares his stories about life, love, and showbiz

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In The Tobolowsky Files podcast, legendary character actor Stephen Tobolowsky shares a series of short stories about life, love, and the entertainment industry.

The Tobolowsky Files podcastI listened to podcast number one a few months ago and became addicted before it concluded. In the next few weeks, I had no choice but to feed my addiction and I consumed all 51 episodes one after another.

His stories are funny, profound, and moving. In his lifetime, Tobolowsky has had some pretty wild and crazy adventures, not to mention the fact that he’s worked with directors like Paul Verhoeven, Harold Ramis, Christopher Nolan and Spike Jonze, just to name a few.

The Tobolowsky Files podcast episode

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Telling Stories: Why You Should Be Listening To “The Tobolowsky Files” by Linda Holmes

Stephen Tobolowsky's Birthday Party still, The Tobolowsky Files podcast

Stephen Tobolowsky’s Birthday Party still, The Tobolowsky Files podcast

Telling stories seems like such an easy thing to do. Everybody has them, after all, and everybody can open up and start talking. We tell each other stories every day — someone sees you with a Band-Aid on your finger and you say, “I cut myself slicing a potato.”

That might be why people who are Storytellers, deserving of a capital S even if it’s technically improper to supply one, are not as celebrated as people who write novels or play the violin.

But a truly great storyteller is the farthest thing from mundane; that person is a profound pleasure. And Stephen Tobolowsky is a truly great storyteller.    Continue reading »

Websites | Pat’s Papers – carefully edited news collection spanning international news to domestic politics

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Pat’s Papers is a carefully edited collection of US news headlines delivered each weekday morning.

Pat's Papers news headlinesPat cuts through the clutter of the news choices on the Web to deliver a summary of stories that span the entire news spectrum from international news to domestic politics to science to gossip. Pat’s Papers is hosted by Pat Kiernan, the anchor of the morning news program on NY1 News in New York City. PP was created as the cross-country equivalent of the NYC-focused “In the Papers” segment Pat prepares each morning for NY1.

Don’t want to wake up at the crack of dawn to read the day’s headlines? He gets up early in order to give you a carefully-edited selection of the day’s news. Though he concentrates on U.S. papers, when a big story extends beyond the border, Pat does too.    Continue reading »

Recipes | Starbucks Birthday Cake Pops – it’s whimsical, fun and delicious cake on a stick

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Starbucks cake pop recipe solves the ever lasting question of how to make cake portable–it’s whimsical, fun and delicious cake on a stick. With how-to video.

What’s not to like about a portable pastry creation? This has been an emerging trend popping up in specialty bake shops, on blogs like Bakerella and even touted by Martha Stewart.

Here is Starbucks cake pops most popular flavor, birthday cake. And below is a how-to video that demonstates the making of Starbucks cake pops.    Continue reading »

Essay | Movie Reviews – if you wanna know to which movies you should go–throw out Rotten Tomatoes and grab my fresh choices

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I’ve reviewed the movie review sites and got the top two for you–Metacritic and MovieReviewIntelligence. Metacritic also serves up excellent TV, music & gaming guidance.

movie review websites - Metacritic, Rotten Tomatoes

I’ve used Metacritic and Rotten Tomatoes for years, and the newer kid on the block, MovieReviewIntelligence, since it came into being about two years ago. Now, movie review aggregators all perform the same basic trick–they scarf up big bunches of opinions, sift and distill who’s saying what, and spit out their magic rating. Ta-daah!

But how they go about the devilish details of which critics they deem worthy of listening to, and how to stack up those critics, can be significantly different and garner different results.

The most well known and popular review aggregator, RottenTomatoes.com, has over 9 million visitors a month cramming into their produce aisle. They have a cute Tomatometer ranking percentage score with a “fresh” tomato for good reviews and  “rotten” for not so good.

rotten tomatoesSqueezing the Tomatoe and looking at the details of how they do what they do, will point out why I find the site my least favorite and accurate, and why I don’t use it anymore. While the other two sites use the reviews from professional critics to come up with their scores, Rotten Tomatoes also includes a bunch of citizen-reviewers who write on obscure websites, like Georgia’s self-proclaimed “entertainment man” Jackie K. Cooper. Huh, who?!The best movie and TV review website is Metacritic

The best movie and TV review website is Metacritic

David Gross, a former market research and 20th Century Fox studio executive who created Movie Review Intelligence, points out that because Rotten Tomatoes gives equal weighting to Time magazine and tiny websites, it penalizes circulation. “What’s going on hurts critics, it hurts moviegoers and it hurts the industry,” Gross says. “What difference does it make if some fan boy says thumbs down’?”

MovieReviewIntelligence screenshot

MovieReviewIntelligence

Keep in mind how Rotten Tomatoes gives it coveted “fresh” rating” to movies that any number, and hypothetically all, of its counted reviewers don’t really love. It’s  scores are based on the ratio of favorable to unfavorable reviews. If a film snags 20 positive reviews and 20 negative reviews, it’s 50% fresh, and if the ratio is 15 good to five bad, it’s 75%. But if all 20 of those critics give the equivalent of a B-minus letter grade, it’s 100% fresh, because all of the reviews were positive, even if only barely so.

Rotten Tomatoes screenshot

Rotten Tomatoes

Metacritic and Movie Review Intelligence try to come up with an average score that reflects how much critics actually like a movie, rather than a ratio of raves to pans. If a movie on those two sites gets a 50% score, it means the consensus of all of the reviews it read was 50% positive. The average review, we could say, got two out of four stars.

All three sites give every review they read a numerical score and that can be a tricky trick to pull off since many reviewers don’t give letter grades or stars. So it gets to be a subjective appraisal and mulling over process to come up with the grading. The assigned grades are translated into numerical scores– a B-plus is an 83, a C-minus rates a 42, and so on. Rather than simply average those scores, Metacritic and MRI apply a weighting system based on a reviewer’s circulation.

Meteoritic, instead of translating a review into a letter grade, has its staff score notices on a 0-100 scale in 10-point steps. “It’s still often hard to distinguish between what’s an 80 and what’s a 90,” says Marc Doyle, one of the founders of Metacritic.

While MRI weights reviews for audience size, Metacritic takes into account the  prestige factor, a calculation it calls its “secret sauce” and one it won’t disclose. “Roger Ebert is weighted more than someone you’ve never heard of,” Doyle says. He also points out that when critics are consistently 75% favorable in their reviews of a movie, its Metacritic score is a 75. But that same movie could be 100% fresh on Rotten Tomatoes. “That’s a fundamental difference,” he says.

If you want very detailed explanations for how each one goes about its calculations, dig in … MetacriticMovie Review IntelligenceRotten Tomatoes

Besides all the calculations and different methodologies being use by each, it’ll come down to your own subjective thumbs up and down for these sites.

But as I stated in the beginning, Metacritic is my own #1 fave and the one I use most often now. Where the rubber meets the road–reading their scores and then comparing them with the actual experience of watching the movie or DVD–it usually matches up well. Metacritic also seems to perform the trick best when I go to the trouble of reading reviews by my own favorite critics in some major publications, and comparing all the prognostications together.

I also prefer Metacritic for the clear and concise way it presents its scores at their site. It uses a simple color code so your eye can quickly scan the results–red, yellow, green. And even the simple “sort by name” and “sort by score” feature is something I think you’ll find quite useful.

As I also stated at the top, you might find my #2 choice, Movie Review Intelligence, to be your cup of tea if you’re in show biz and want more detailed details, especially when it comes to analyzing box office performance. You’ll see in the screen capture how they dig down to regional, press type and media value stuff.

So that’s my humble view of the reviewing sites and I hope I’ve helped to sort out the puzzle of whats what. I wish you well out there in all your movie adventures.

written by Los Angeles photographer & writer Gregory Mancuso